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	<title>Pixie Tan</title>
	<link>https://pixietan.com</link>
	<description>Pixie Tan</description>
	<pubDate>Mon, 10 Nov 2025 08:30:58 +0000</pubDate>
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		<title>index</title>
				
		<link>https://pixietan.com/index</link>

		<pubDate>Tue, 09 May 2023 05:56:36 +0000</pubDate>

		<dc:creator>Pixie Tan</dc:creator>

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		<title>Information</title>
				
		<link>https://pixietan.com/Information</link>

		<pubDate>Tue, 09 May 2023 05:56:36 +0000</pubDate>

		<dc:creator>Pixie Tan</dc:creator>

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		<description>
	&#60;img width="890" height="1336" width_o="890" height_o="1336" data-src="https://freight.cargo.site/t/original/i/d5e7c90de1f647455e0c65d5d0fc0880fef484292147e6d8b4d6451ef45bbaab/Pixie_Headshot.jpg" data-mid="185502213" border="0"  src="https://freight.cargo.site/w/890/i/d5e7c90de1f647455e0c65d5d0fc0880fef484292147e6d8b4d6451ef45bbaab/Pixie_Headshot.jpg" /&#62;

	︎︎︎&#38;nbsp;Email︎︎︎&#38;nbsp;Instagram
	Pixie Tan is a researcher, art director, and educator whose practice explores the intersection of community publishing, social engagement, and cultural imagination. Drawing from her background in fashion, spatial, and graphic design, she facilitates collaborations that propose new ways of seeing, playing, and making meaning together.
She is the co-founder of Stranger(‘s) Touch, and co-founded&#38;nbsp;Don’t Mind If, a ground-up initiative designed with the hopes of uplifting, celebrating and advancing the local communications design industry, community and profession. She is currently a lecturer at LASALLE College of the Arts, Singapore.&#38;nbsp;
Her zines can be purchased at Objectifs (Singapore), Open Door (Singapore) , Good Press (Glasgow) or viewed in Asia Art Archive (Hong Kong). They are also distributed across Europe by Antenne Books.&#38;nbsp;Exhibitions2025&#38;nbsp;
CUTɆ FRUITS,  LabourBlock, Singapore
Scape The Ground Theatre
2024Annual Review,&#38;nbsp; Another Department,&#38;nbsp; SingaporeSingapore Art Week 2024Do You See What I See?,&#38;nbsp; Asian Civilisation Museum, SingaporeCommissioned by Crossing Cultures 2024
Story Crafters, National Library, Singapore&#38;nbsp;Commissioned by Asian Festival of Children’s Content 2024
[Curator] Our Ghosts?, 42 Waterloo Street, Singapore
Kampung Halloween&#38;nbsp;
Kuala Lumpur Art Book Fair
2023
dingdongbeep!, Multiple Locations, SingaporeSingapore Art Week 2023
Stranger(’s) Touch, The Red Bus, SingaporeFunded by RYSP, National Youth Council Singapore2022
Stranger(’s) Touch, Crane, Singapore 
2021Digital Resources, Maybe We Read Too Much Into Things 
2020Streets of Hope 2, Orchard District, National Arts Council 
2019 Eriks Shadow, East Side Open Studios, SingaporeStreet of Clans Festival, Koh Clan, SingaporeDeviations, 49 Hackney Road, London
2018Vestoj for La Manutention, Palais de Tokyo, ParisSelf-Protection Manifesto, Institute of Comtemporary Arts, London
Aesthetica Short Film Festival, YorkPotluck by Potluck, Singapore Open Call 2, Supernormal, Singapore
Freelance Art DirectorSelected clients/projects include: Branding: Both Side’s, Now, Stranger(’s) Touch, Livingwear Co (Fashion Brand), Teresa Lim (Teeteeheehee), A Weekend Affair (Symposium/Art Festival), True Essence Taiwan (Beauty)
Films and Photos: Frame by Frame Singapore, &#38;nbsp;Macallan, Shiseido, Zalora, Smilemakers Collection, The Cutscene Company, Sony Singapore, The Sam Willows, Lenne Chai.
Previously: 
2022⸺2024Designer in Residence, Lasalle College of the Arts

2019⸺2022
Part-Time Lecturer, Lasalle College of the Arts
2019⸺2021Art Director, The Merry Men Works
2018Junior Designer, Firecracker Works
2017⸺2018Sans Titre, assistant to art director Erik Hartin.
2014⸺2017Creative Director, Of Trying Times 


	Education

Masters in Arts Pedagogy and Practice with DistinctionGoldsmith College, University of London

First Class Honours,BA (Hons) Design for Art Direction,University of the Arts, London College of Communication
Diploma in Apparel Design and Merchandising with Merit,Temasek Polytechnic School of Design&#38;nbsp;



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	<item>
		<title>Stories from Our Wardrobe</title>
				
		<link>https://pixietan.com/Stories-from-Our-Wardrobe</link>

		<pubDate>Mon, 21 Oct 2024 09:29:56 +0000</pubDate>

		<dc:creator>Pixie Tan</dc:creator>

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	Stories from Our Wardrobe












Stories from our Wardrobe is an action research project that uses stories and zine-making practices to build empathy and trust amongst students to enable collaboration and develop 21st century competencies.
Across a 14 week x 3 hr sessions, students were tasked to each create a zine about a single item from their wardrobe and come together to produce a collective publication. The project culminated into an one night only exhibition at Second Story @ Thryft, Peace Centre, where students shared and circulated their zines about their stories to a new audience.&#38;nbsp;


	
	

	Research, Pedagogy2023-2024

TO THE POWER OFAdawia Bte Azman
Elmira Binte Mohammad Hizam
Fatimah Binte Abdul Razak
Nur Insyirah Binte Mohamad Aedey
Nurul Nabilah
Vu Thi Ha Phuong
Rahmat Bin Adnan, He Mengxue
Du Jingqi
Katherine Lim Balzomo Student Participants
Published in
Fashion Studies Journal: Southeast Asia Issue.

Read it here.&#38;nbsp;

Presented at
 19th International Conference on Design Principles and Practices:&#38;nbsp;Thinking, Learning, Doing - Plural Ways of Design.&#38;nbsp;
Abstract here.&#38;nbsp;
Upcoming
27th IFFTI: Forming Future at London College of Fashion



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		<title>Don't Mind If</title>
				
		<link>https://pixietan.com/Don-t-Mind-If</link>

		<pubDate>Wed, 19 Jul 2023 12:17:50 +0000</pubDate>

		<dc:creator>Pixie Tan</dc:creator>

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	Don’t Mind If












As a creative that work fluidly in and out of Communication Design and Visual Arts, I found it incredibly difficult to find data about this industry. Unlike the arts industry, there was little support for this sector.&#38;nbsp;


Out of curiosity and frustration, I co-founded the local research initiative, Don’t Mind If, and started a survey cheekily named “Don’t Mind If I Ask”, hoping to shed some light on the climate of Singapore’s Communication Design Industry and Community.


	
	
TO THE POWER OFRyan Tan Co-Founder



	Research, Art Direction2019-2023
Find out moreBuy a copy&#38;nbsp;of the report&#38;nbsp;here

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	Between 2019-2023,  I volunteered to gather, analyse and synthesise 506 responses from Singapore’s communications design industry&#38;nbsp;alongside my co-founder Ryan Tan.&#38;nbsp;










A large part of the work is also sythesising the data into a format that was easy to refer to. This was done with the help of local design studio, OuterEdit.Eventually, the data culminated into a 206-page publication containing illustrated data, insights and observations. It details the responses of students, fresh graduates, freelancers, and employees to business owners who work within the industry. Working closely with the community to accurately reflect its aspirations and anxieties, it also includes 15 opinion pieces by thought leaders and practitioners such as Justin Zhuang, Vanessa Ban, Adib Jalal, Danielle Ng and DesignSingapore Council.

500 copies were produced and have been distributed to buyers, collaborators, industry leaders and policy makers in &#38;amp; out of the graphic design industry.Photographed by The Gentle Studio for OuterEdit.


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	“The survey’s personal and introspective approach can perhaps be seen as an act of “self-care”, a means for designers to look after one another in the community. The results are certainly not representative, but it does represent a lived reality and a common space for more discussions, debates and initiatives about the profession. As earlier initiatives by other designers have shown, the worth of a profession is not solely determined by who it serves. Those who choose graphic design as their calling are just as important in shaping its values and future too.”Justin ZhuangDesign Writer
	


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As part of Don’t Mind If commitment to engaging the community, I worked closely with DesignSingapore Council to organise Alter-Native, a panel discussion on the future of our ever-evolving communication design industry. Moderated by Sean Kelvin Khoo, the programme leader at Temasek Polytechnic, Diploma for Communication Design, the panel included speakers of different backgrounds, from UX designers, architecture branding, publication design and experiential design, as an alternative way to imagine a shared future. 




	
	
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	It was also great to share our process with students at NAFA Degree in Design Practice and at Library@Orchard’s Your Design Space Event.&#38;nbsp;



	At the moment, I am also excited to be working on a series of articles alongside Stella from Tender Deeds to document and share the creative process and lives of those who labour within this industry.&#38;nbsp;
Follow us on the journey here.
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		<title>Unfolding: A Work in Progress</title>
				
		<link>https://pixietan.com/Unfolding-A-Work-in-Progress</link>

		<pubDate>Mon, 10 Nov 2025 08:30:58 +0000</pubDate>

		<dc:creator>Pixie Tan</dc:creator>

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	Unfolding: A Work in Progress

An afternoon of pop-up zine library and public sharing on my current research project tracing the spatial politics of zine-making practices in Singapore, Hong Kong and Yogyakarta.&#38;nbsp;

	
	TO THE POWER OF
Jasmine See&#38;nbsp;Producer
340a Location

	Research2025 - Ongoing
Part of a research funded by LASALLE College of the Arts, University of the Arts Singapore





&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/5980e5fadbcc04ff841d275ca859187b43f57f9eafdead93f1942300a1529a82/C54B19A0-BF72-4B3D-8FCA-5C1770C85DFA.JPG" data-mid="240431089" border="0"  src="https://freight.cargo.site/w/1000/i/5980e5fadbcc04ff841d275ca859187b43f57f9eafdead93f1942300a1529a82/C54B19A0-BF72-4B3D-8FCA-5C1770C85DFA.JPG" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>I'm Trying</title>
				
		<link>https://pixietan.com/I-m-Trying</link>

		<pubDate>Mon, 10 Nov 2025 08:26:02 +0000</pubDate>

		<dc:creator>Pixie Tan</dc:creator>

		<guid isPermaLink="true">https://pixietan.com/I-m-Trying</guid>

		<description>
	I’m Trying












110 x 190mm, 12 pages, Risograph printing, Saddle stitched, Softcover, 2024

A collection writings made about anxiety written on days where I was gentler to myself.
	
	TO THE POWER OF
Hafi IllustratorThrough the Roof Arts Self-Service Print Studio
Toni Cuhadi Documentation

	Writing, Zines2024





&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/cb0321c8364b8a33bbe3c7bf13ddfc1327f77265269e7690b33a7d7cbfc9b80f/I-m-Trying-Zine-9.jpg" data-mid="240430250" border="0"  src="https://freight.cargo.site/w/1000/i/cb0321c8364b8a33bbe3c7bf13ddfc1327f77265269e7690b33a7d7cbfc9b80f/I-m-Trying-Zine-9.jpg" /&#62;
&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/2aacc994edd8e1251f6e91d27568d1ed23c1324e221d1ffac0dae0385f3da375/I-m-Trying-Zine-2.jpg" data-mid="240430178" border="0"  src="https://freight.cargo.site/w/1000/i/2aacc994edd8e1251f6e91d27568d1ed23c1324e221d1ffac0dae0385f3da375/I-m-Trying-Zine-2.jpg" /&#62;
&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/f87fc23da0b077bf4e432b1f32591dd4668336cab715efaa87bd7df3d09bd1c1/I-m-Trying-Zine-10.jpg" data-mid="240430251" border="0"  src="https://freight.cargo.site/w/1000/i/f87fc23da0b077bf4e432b1f32591dd4668336cab715efaa87bd7df3d09bd1c1/I-m-Trying-Zine-10.jpg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>Of Zines and Bharatanatyam</title>
				
		<link>https://pixietan.com/Of-Zines-and-Bharatanatyam</link>

		<pubDate>Fri, 28 Feb 2025 11:04:03 +0000</pubDate>

		<dc:creator>Pixie Tan</dc:creator>

		<guid isPermaLink="true">https://pixietan.com/Of-Zines-and-Bharatanatyam</guid>

		<description>
	Of Zines and Bharatanatyam












A5, 32 pages, Risograph printing, Saddle stitched, Softcover, 2024

How can zine-making and bharatanatyam practices inform and inspire each other? &#38;nbsp;This publication documents a work-in-progress practice research by Dr Nidya Shanthini Manokara and Pixie Tan. They explore the intersections of zine-making and bharatanatyam to generate and archive new modes of storytelling that transcend conventional boundaries.


	
	TO THE POWER OF
Dr Nidya Shanthini Manokara Collaborator

	Research, Pedagogy2024-ongoing

Presented at
 CUMULUS Monterrey 2024Available to purchase at
Good Press





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</description>
		
	</item>
		
		
	<item>
		<title>ON THE NEWSSTAND</title>
				
		<link>https://pixietan.com/ON-THE-NEWSSTAND</link>

		<pubDate>Fri, 28 Feb 2025 11:10:27 +0000</pubDate>

		<dc:creator>Pixie Tan</dc:creator>

		<guid isPermaLink="true">https://pixietan.com/ON-THE-NEWSSTAND</guid>

		<description>
	On the Newsstand&#38;nbsp;
105 x 150mm, 28 pages, Risograph printing, Saddle stitched, Softcover, 2023

What makes a magazine cover stand out? And how does a quick sketch capture its essence? On the Newsstand is the first issue of the (as seen) series exploring the world through the eyes of design students. In this issue, discover the magazines that were "eye-catching" on the newsstands of Singapore in August 2023.


	
	

	Zine, Pedagogy2024-ongoing

TO THE POWER OF
Adawia Bte AzmanHe Mengxue
Nur Insyirah Binte Mohamad AedeyKatherine Lim Balzomo
Rahmat Bin Adnan
Shen ZihuiVu Thi Ha Phuong

Zhou Siyan&#38;nbsp;Student ParticipantsAvailable to purchase at
Good Press


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	</item>
		
		
	<item>
		<title>Annual Review</title>
				
		<link>https://pixietan.com/Annual-Review</link>

		<pubDate>Sun, 24 Sep 2023 12:51:39 +0000</pubDate>

		<dc:creator>Pixie Tan</dc:creator>

		<guid isPermaLink="true">https://pixietan.com/Annual-Review</guid>

		<description>Annual Review
As part of Singapore Art Week 2024, long term collaborators Chong and I revisited the projects we have pursued together and apart since 2018.&#38;nbsp;


	
	 TO THE POWER OF
Another Department&#38;nbsp;Location

	Exhibition
2024





	&#60;img width="4500" height="5625" width_o="4500" height_o="5625" data-src="https://freight.cargo.site/t/original/i/7880d74eb5cbea1bdd2757914089ee52495403d9e57b8324aad68d15eb9ebf30/Annual-Review_KV.png" data-mid="206226769" border="0"  src="https://freight.cargo.site/w/1000/i/7880d74eb5cbea1bdd2757914089ee52495403d9e57b8324aad68d15eb9ebf30/Annual-Review_KV.png" /&#62;&#60;img width="2773" height="4160" width_o="2773" height_o="4160" data-src="https://freight.cargo.site/t/original/i/1c7828ee4c3bf5185339e6e5e892268b17212f3a77495c92b81b729f8995f49d/PHOTO-2024-01-28-00-49-58-1.jpg" data-mid="206226362" border="0"  src="https://freight.cargo.site/w/1000/i/1c7828ee4c3bf5185339e6e5e892268b17212f3a77495c92b81b729f8995f49d/PHOTO-2024-01-28-00-49-58-1.jpg" /&#62;
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&#60;img width="2773" height="4160" width_o="2773" height_o="4160" data-src="https://freight.cargo.site/t/original/i/d464d0bec072f148ee60c04b0b7be4dc16dea37d2a2f69e5bcf33c883bed8b63/PHOTO-2024-01-28-00-50-02-1.jpg" data-mid="206226366" border="0"  src="https://freight.cargo.site/w/1000/i/d464d0bec072f148ee60c04b0b7be4dc16dea37d2a2f69e5bcf33c883bed8b63/PHOTO-2024-01-28-00-50-02-1.jpg" /&#62;&#38;nbsp;
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	&#60;img width="2773" height="4160" width_o="2773" height_o="4160" data-src="https://freight.cargo.site/t/original/i/63f6da7ca53b1e2f2c2031ab6db480102c76cf0d913e78946dfc2bcdd711a54a/PHOTO-2024-01-28-00-50-06-2.jpg" data-mid="206226650" border="0"  src="https://freight.cargo.site/w/1000/i/63f6da7ca53b1e2f2c2031ab6db480102c76cf0d913e78946dfc2bcdd711a54a/PHOTO-2024-01-28-00-50-06-2.jpg" /&#62;
	&#60;img width="2773" height="4160" width_o="2773" height_o="4160" data-src="https://freight.cargo.site/t/original/i/42b660bba3349bc0d01b99edf90cc0975d766e533a873c3c529dd41c0cb7f29e/PHOTO-2024-01-28-00-50-05-2.jpg" data-mid="206226371" border="0"  src="https://freight.cargo.site/w/1000/i/42b660bba3349bc0d01b99edf90cc0975d766e533a873c3c529dd41c0cb7f29e/PHOTO-2024-01-28-00-50-05-2.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Stranger('s) Touch @ The Red Bus</title>
				
		<link>https://pixietan.com/Stranger-s-Touch-The-Red-Bus</link>

		<pubDate>Wed, 19 Jul 2023 12:00:18 +0000</pubDate>

		<dc:creator>Pixie Tan</dc:creator>

		<guid isPermaLink="true">https://pixietan.com/Stranger-s-Touch-The-Red-Bus</guid>

		<description>Stranger(’s) Touch @ The Red Bus











The second iteration of Stranger(’s) Touch was a month-long takeover of the Red Bus at Somerset Youth Park. A new series of household objects was commissioned by Singaporean designers and artists&#38;nbsp;Jenevieve Woon, Moses Tan, Teo Huey Ling, Tiffany Loy, and Weixin Quek Chong challenging the idea of touch in unfamiliar ways.&#38;nbsp;
 Referencing the visual language of lifestyle stores and magazines, the campaign images featured the items in a home environment. The social media posts were also designed to mimic trendy lifestore stores.&#38;nbsp;

	
	TO THE POWER OF
Daniel Chong Co-Founder
Crop.sg Designers
Chong Ng Photographer
Phoebe Zoe Ho Spatial designer

	

	
Art Director
Visit Stranger(’s) Touch website&#38;nbsp;here
Supported by:
 National Youth Council’s Realise Your Somerset belt Project Fund
 

Featured on:&#38;nbsp;

Plural Art Mag



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	&#60;img width="1933" height="1289" width_o="1933" height_o="1289" data-src="https://freight.cargo.site/t/original/i/696cd78cc790d141a65457ebc0a6517315e41d8eeaae191ab92072d2f694f3d0/221008-StrangerTouch-0064-copy.jpg" data-mid="185500968" border="0"  src="https://freight.cargo.site/w/1000/i/696cd78cc790d141a65457ebc0a6517315e41d8eeaae191ab92072d2f694f3d0/221008-StrangerTouch-0064-copy.jpg" /&#62;
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	The bus was reimagined as a concept store and visitors were encouraged to touch, hold and interact with the objects as if it was a store. All items were also for sale, with customised packaging, ready for gifting during the christmas holidays.  Over 850 visitors saw the show, many of which complemented the seamlessness of the art experience as the retail format allowed them to interact with the works in an unexpected way.
	
	
	

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